Saturday, 24 September 2011

Open with a BANG!

Last week at Sheridan College, I asked my fiction writing students this question:
“How long do you wait when watching a movie or tv show before switching channels?’

Five minutes?  Two minutes?  30 seconds?  The responses varied, but averaged out at one minute.

I told them: “One minute.  That is one page of movie script.  The first page of a novel.  So you are telling me that if the FIRST PAGE of writing doesn’t grab you, you don’t give the book/movie/sitcom a chance?”

Struck dumb, is how they looked.  Yes, audiences are a fickle lot now.  You have to grab them on your first page these days, and better – with your first line!

How to do it?

Start in the middle of something.  Start with action or dialogue.  Do NOT open with the weather, or description of location, or simple back-story.  Start with the meat.

Here’s an example from my novel, Rowena Through the Wall:

“I saw the first one right after class.”

This is a perfect opening line to teach from.  This sentence does many things:

  1. It opens with the protagonist.  “I saw” – from this, we know that the book will be in first person – we are introduced to our protagonist.

In fiction, readers expect the first person they encounter, to be the protagonist.  This is the character they expect to become attached to.  Don’t disappoint them.

  1. It opens with mystery:  “I saw the first one...”
First one of what?  And – it’s the first, so we know there will be more!  Lots of questions to intrigue the reader.

  1. It gives some clue to setting.  “…right after class.” 

In those well-chosen eight words, we have introduced the protagonist, the setting and a mystery.

Other good openers:

“He was a well-dressed burglar, Marge had to admit.” (from “School for Burglars")

Marge is the protagonist; she is watching a burglary in progress.  Talk about opening in the middle of something!  And we have a picture of the burglar in our minds.

“The thing that shocked Emily was how incredibly easy it was to hide a murder.”
(from “Life Without George”)

Emily is the protagonist, and probably a murderer.  Will she get away with it?  Will we want her to get away with it?

All this, from one line.  Open your books with a bang!  Your readers will keep reading.

Melodie's book 'Rowena Through the Wall' hit no. 2 on Amazon.ca bestseller list (fantasy, futuristic) in Aug.
Follow Melodie's comic blog on funnygirlmelodie.blogspot.com
Website: www.melodiecampbell.com
Twitter: @MelodieCampbell


Saturday, 10 September 2011

Excited About Bouchercon Conference

I leave Monday morning from my mountain village in California for the Bright Lights and Big City Spirit of St. Louis Bouchercon conference.

I learned to my dismay that the hotel I'd chosen--"three blocks from the conference hotel--is actually a mile and a half away. Curses and damnation on these lying reservation call centers. Oh well. I hope it's the worst thing that even happens to me.

I look forward to seeing Janet Costelloe and Karen Dryden-Blake again. We met earlier this year in Santa Fe and liked each other. I absolutely loved Wayne Arthurson's first book set in Edmonton, and if I meet him there, I'll harangue him for the next one.

These big mystery conferences are exciting. You get to see big name writers you've read and admired. You have conversations with new acquaintances about books dear to your heart and you can finish each other's sentences.

More to follow, I'm sure, once all of us are in St. Louis.

Tuesday, 30 August 2011

Crime Writers Homicide Investigation School

I'm a real straight-arrow so I never meet the "nose-picking, booger-eatin' morons" Sgt Derek Pacifico talked about in his Homicide Investigation school for Crime Writers last weekend in Covina, California.

For a long time I've been collecting "stupid criminal stories", but Derek topped them all. I just never meet AHs (figure it out) who shoot somebody in the face and think they don't die.

A group of us at the California Crime Writers' Conference in June 2011 heard him give a 4-hour presentation on Interview and Interrogation techniques and were spellbound. We wanted more and he dished it up for us.

Pacifico was funny, serious, thoughtful and thought-provoking. As a law enforcement trainer he's travelled the country teaching the same material to cops. He's worked Homicide Detail as well as all the other facets of police work and now is a Sergeant with the San Bernardino County Sheriff's Office.

He liked us because we wanted to learn and didn't sit there, arms crossed, giving off testosterone fumes, and the attitude of "Yeah, dude, go ahead. Teach me something I don't know." He was honest and forth-coming about what really lies behind the crime scene tape.

We liked him because he's just plain likeable. From video clips we saw he's got a line of jokey, rapport-building bullshit with criminals in the interrogation room that got him a lot of confessions. I can see why.

The case studies were particularly interesting because they provided a reconstruction of what first just looked like confusion--and probably was. We learned the tedium of stringing a scene and blood, bugs and graves. It's not exciting the way it is on TV.

He's talking about setting up a conference of some length just for crime writers bringing in experts he teaches and works with. Where? To be decided.

I can't wait.

Check him out at Global Training Institute. http://www.crimewriters.globaltraininginstitute.com/HOMICIDE_SCHOOL.html See also Jude McGee's write-up for Ransom Notes. http://judemcgee.com/2010/05/homicide-or-murder-sgt-pacifico-tells-it-like-it-is/comment-page-1/#comment-37


PS Sorry I can't figure out how to link in this software.

Monday, 29 August 2011

Saved by a quarter hour

It’s been a long hot, humid summer and the crisp fall air can’t come soon enough.

As one of those individuals who suffers in torrid atmospheric conditions – my brain turns to mush – I admit my resolve to finish to my writing project by the autumn has suffered tremendously: from ennui, sluggish holiday recovery, family crises, procrastination and laziness. Should I give it up? It certainly feels like it.

They say familiarity breeds contempt. I’ve been carrying a host of characters around in my head, trying to finish this MS for what seems like eons. Life keeps breaking out around me, throwing up challenges and problems, hassles and calamities. I’m getting a bit tired of these make-believe creatures. They clamor to set about and do things, make pronouncements and go off on tangents. And as prepared as I am to bow to their wishes, I’m supposed to be somewhere else - in real time - in fifteen minutes, or half an hour. And so they wait, impatient, and displaying characteristics I have not yet assigned to them.

What to do? Karen Blake-Hall, our fearless writing group leader, is a firm believer in the fifteen-minutes-a-day regime, especially if you’re on the run. But I write in chunks, I say. What on earth could I achieve in fifteen minutes?

Well, Karen, I’m a convert. You can achieve a lot in fifteen minutes. And the best accomplishment is regaining your momentum. It doesn’t take much. Fifteen stretches to a half hour; a half hour is suddenly an hour. And if tomorrow is busy?

Fifteen minutes will do. You stay in touch with your work. You quiet those characters for a bit and seize control once more.

Mired. Stuck. Blocked. Whatever it is, it seems to just take a nudge – fifteen minutes at a time. At least for now.

Bring on the cool air. My head needs clearing.

Killing is Murder


The coming theme of the National Crime Writing Month Blog is "50 Ways to Kill Your Lover".

At the risk of jumping the gun, committing murder on paper isn't as easy as it looks. Here are 7 ways NOT to kill your lover.

  1. Shoot your lover point blank - GSR is a bitch to get out of your clothes.
  2. Shoot your lover at a distance with a hand gun - unless you have practice, chances are you'll miss.
  3. Stab your lover through the heart - again, not as easy as it looks. You have to get past the ribs and actually find the heart.
  4. Stab your lover anywhere without making a mess. While inflicting a mortal wound isn't too difficult. It's much harder to stab without causing a long and noisy death.
  5. Bludgeon your lover anywhere without making a mess. It isn't just that blood splatter. It's the negative images where parts of your body gets in the way of the blood splatter. You can get rid of your clothes, but its hard to get rid of walls.
  6. Strangle, smother, or any other method that requires brute strength unless your murderer is very strong or your victim is very weak or incapacitated. (There's a reason women traditionally use poison except...)
  7. Drug overdose - if you want an instant death. Drugs and ingested poisons take time to work. They're also messy because the body tries to purge the toxins. I found a way around this in my next book, but first I had to be lectured by a medical friend of mine who read an early draft. (More about that when I write for the NCWM blog.)
Of course, any of these obstacles can be overcome which brings us to "How Real Investigation Don't Work Like CSI" - but that's another story.

Tuesday, 23 August 2011

Honouring A Reading Companion

Like many avid book lovers, I do not often read alone. My life has been rich with cats, from Snooker in Ottawa, to Smudge and Tart through high school, to Manon, Syzygy, and Synergy. Manon passed away last week, but only after being the centre of a number of legendary stories. This is the story of how she spent her twilight days.

My elderly cat, Manon, has decided to spend her remaining days as Manon, Queen of the Balcony.
On the July long weekend, I took her out to soak in the sun. I get direct light from 7-9 a.m. We’ve done this for years.


But this time, when I brought her in, she hopped down, and like a kitten, scooted between my legs to go back out before I could close the door!

It was warm, I was home, and she wasn’t going to have heatstroke as the sun had passed, so I let her stay out. About noon, she started crying by the sliding door.

I went to check on her. She gave me a Look, and moved into Attitude Meowing.

I finally got the message: “Oh, useless Servant, bring me my repast!”

So she ate out there, napped, eliminated, napped. At dusk I brought her in and she vaguely remembered that her previous favourite pastime was sitting on me while I read.

But the next morning, after having her Iam’s with a side of yogurt, she was at the door, donning her Regal Ways. I let her out, and hours later had to drag her in so I could do errands. As soon as I returned, she went back out.

By the Monday night, when I brought her in, she did a sit-in by the screen door, wailing. I had to turn off the AC, and have the maximum screen door in use (with a temp litter box handy) so she could sleep by her Queendom.

Tuesday, I had to go to work. She belligerently threatened to have the SPCA called for animal cruelty if I didn’t let her out for the day.

She’s 19, diagnosed with oral cancer (the vet agreed we’ll just do hospice, with no intervention), so who am I to say she can’t spend her last days how she pleases? She does let me bring her in for the odd hour of reading, and a couple of nights she’s agreed to sleep with me. She is one happily retired kitty!

However, her Queendom and powers of persuasion are expanding. I think she has cowed the Weather Gods, as it has not rained ONE DROP since she took up her new residence. (3 weeks!)

Thursday, 18 August 2011

NaNoWriMo from a writer's viewpoint

I've done NaNo a couple of times. As a writer, I discovered a lot about myself and my story. You discover if you have endurance or not. Yes, endurance, not how long you can run before you succumb to muscle fatigue but how long can you sit in a chair before you become numb from the waist down? 

The next thing you discover is whether you prefer M & M's or Reese's pieces and cola or coffee? Remember you are pushing to write as many words as you can each day so stopping for food slows you down.

The hardest thing for me to discover was that the family could actually operate without Mommy. This is both a  blessing and a curse. It's great that I've raised the kids to be self-sufficient but it hurts my feelings that they are.

So Jill, here are some other questions to ask the authors of your panel.

- M & M's or Reese's Pieces, cola or coffee?
- Are you prepared for your characters to veer off your storyboard and go their own way?
- Food, do you have your freezer full of quick to cook meals?

Have fun and good luck to all participating in this year's NaNo.